Dario is a scholar at the Harvard Metalab, a research unit hosted at the Berkman Klein Center for Internet & Society, dedicated to innovation in the arts and humanities. The Swiss National Science Foundation funds his position with two consecutive fellowships.
His research examines the social dynamics of scientific communities for which he designed organizational charts and conference maps. His current projects focus on international collaborations and academic mobility.
He holds a doctorate in science from EPFL.
He was member of MIT, Sciences Po, and European Commission, which recently appointed him as an external expert.
Worldwide Map of Research
From Data to Wisdom
Designing the Part-Whole Self
HUGSA Virtual Conference: Designing the Self (2020)
Introduction to Data Visualization
Berkman Klein Center of Internet & Society (2020)
Academic Mapping of Human Dynamics
Massachusetts Intitute of Technology (2020)
Computational Literacy for Graphic Design
Université du Québec à Montréal (2020)
Big Data and the Little Big Bang: An Epistemological (R)evolution
Frontiers in Big Data (2020)
Digital Habitus or Personalization Without Personality
HUMANA.MENTE Journal of Philosophical Studies (2020)
Mapping as a Contemporary Instrument for Orientation in Conferences
Proceedings of IX Conference AIUCD (2020)
The Hermeneutic Circle of Data Visualization
Techné: Research in Philosophy and Technology (2020)
Self-Recognition in Data Visualization
Printing Walkable Visualizations
Transimage Conference (2018)
Mapping Affinities in Academic Organizations
Frontiers in Research Metrics and Analytics (2018)
The Analogous City, the Map
EPFL Archizoom Press (2015)
“Alongside Daniele [Guido] and Donato [Ricci], Dario is part of the ‘Little Italy’ that has set up shop in the AIME offices. Apart from sharing his enthusiasm and insatiable curiosity, Dario has brought along ten years experience in designing digital interfaces. With the others on the team, he has given life and form to the daring insights of both himself and his compatriots.”
— Bruno Latour, Paris 2013